Sunday, November 23, 2008 TRIVIUM
Shogun
Roadrunner Records
Once upon a time there was a thrash metal band who ruled the music world with an iron fist and face melting guitar licks. That band went by the name "Metallica". Today Metallica have turned into a joke. A bunch of primadona rock stars who still think that they're relevant. In my opinion they lost their right to be labeled "metal" years ago, but that's just me. But nevertheless, back in their day (pre black album) their music destroyed and was used as influence for many bands that followed them. Trivium must have took notice. Their new album, Shogun, is what Metallica probably would have sounded like had they not lost their balls.
TOP TRACKS: Into the Mouth of Hell We March, Of Prometheus and the Crucifix, Shogun
GDEVIL'S VERDICT: Buy it. Cut the sleeves off that ratty, old Metallica t-shirt and prepare for headbanging.
UNEARTH
The March
Metal Blade Records
My friend Amanda turned me on to Unearth almost two years ago. I believe she said something to the effect of "Unearth will rip your face off!" Coming from an extremely attractive, tattooed gal I did what any red blooded, male would do...I touched myself repeatedly, then went out and bought Unearth's III Through the Eyes of Fire. Simply put, I have been a fan ever since. Unearth's recipe for success lies in their ability to pull off insane fretwork while keeping the tempo amped to the extreme. Its good to see a band actually get better with each album using the same formula rather than "experiment" with new sounds. I'm so sick of that bullshit from bands who have only put out two-three albums. The March is the perfect addition to Unearth's arsenal.
TOP TRACKS: We Are Not Anonymous, The March, Crow Killer, The Chosen
GDEVIL'S VERDICT: From now on whenever a hot tattooed girl tells me anything, I listen.
METALLICA
Death Magnetic
Warner Bros
Ok. If you read my review on Trivium's album Shogun, you probably know where I'm heading with this review. Metallica fans, if not anything, are absolutely loyal so I'm sure I'll get a lot of negative feedback when i say...this album is absolute garbage. Hell Metallica could put out an album of them farting in a coffee can and everyone will buy it. Let me explain. I hold Metallica to such a high standard I tend to be really hard on them. Ever since the Black Album I've said they lost something. They lost their edge while acting like pompous rock stars in the meantime. They deserve all the credit in the world for what they have done in the world of metal...but alas, they aren't metal anymore. They have re-created themselves into a hard rock band, and by all means, that's perfectly fine. Musically, this album is leaps and bounds better than that last album they put out. I can't even, and won't even speak its name. The guitar work and drums at times brought me back to the times of Ride the Lightening. But the vocals are what bother me. Somewhere along the line someone got in James Hetfield's ear and told him he has a brilliant voice. And while some of the all time best Metallica songs are ballads, I still liken the Hetfield growl of Kill Em All. At times he seems to draw out words when there's no need to, and it just gets really annoying (See The End of the Line). And do i really need to comment on on The Unforgiven III???? Going to the well a few times shows a lack of motivation and creativity in my opinion.
TOP TRACKS: The album isn't ALL bad. It's just not MY Metallica. That Was Just Your Life, All Nightmare Long and the 10 minute ragin istrumental Suicide & Redemption had me banging my head like it was 1988 all over again.
GDEVIL'S VERDICT: Regardless of how many times I badmouth them I always end up buying their new album. Like ex-bassist Jason Newsted once answered when asked if Metallica were sellouts, he answered, "Yes. We sell out. Every single show." As long as they keep pumpin out albums, the fans will buy them and I'll keep holding my breath till they go back to their old ways. Till then, I have a slightly used copy of Death Magnetic if anyone's interested.
BLEEDING THROUGH
Declaration
Trustkill Records
Orange County's metalcore marauders are at it again with their fourth full length entitled Declaration. Its the heaviest thing I've heard recently. I don't care if they have a hot keyboardist, if its one thing Bleeding Through has been known for is that they always go heavy. Their last album The Truth was a bit of a let down for many BT loyalists because they experimented with ballads and vocal ranges. Declaration seems to be just that, a declaration stating they can still keep it heavy while keeping it interesting. I couldn't listen to the album in its entirety on first listen. It kind of got on my nerves and seemed repetitive. But once I was in the mood for something brutally heavy I gave it a try and was pleasantly satisfied. One thing I noticed was the presence of the keyboards actually. In the previous albums, Marta's keyboards are more background, elevator music in my opinion, and the band could record with or without her and still pull off the same sound. But on Declaration Marta's keyboards are pushed more into the forefront, giving off a dark, eerie, atmosphere, proving she's way more than a piece of ass on stage.
TOP TRACKS: Declaration, Orange County Black and Blue, There Was a Flood, Sister Charlatan
GDEVIL'S VERDICT: Declaration is growing on me the more I listen to it, as did any previous Bleeding Through albums. Would a person who never heard BT before appreciate the album? Eh. Don't think so. But OG fans can rejoice that they ditched the power ballads from The Truth and returned to punching people in the face.
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