Wednesday, November 12, 2008 STICK TO YOUR GUNS
COMES FROM THE HEART
Century Media
I got turned on to this band by a friend who stated, and I quote, “If you thought hardcore was dead Stick To Your Guns is a fucking zombie!” Brain eating undead aside, he was part right. STYG throws an uppercut with their new album Comes From the Heart. Its chock full of the positive messages of hardcore songs of yore but its got an updated sound. Will old school cats think this is hardcore? Will they call it metalcore? It’s a matter of opinion really, and you know what they say about opinions right? They’re like assholes, everyone has one. Anyway, OG STYG fans may badmouth the new album because the vocals are more geared to traditional hardcore and not metalcore. I applaud this move. Hearing the melodic changeups in the vocals is a refreshing change of pace in my mind. One can only hear so many Cookie monster vocals before he wants to rip his ear drums out with a spoon. Top tracks include: Heart from the Heartless, Enough’s Enough, and Accessory Children.
GDeViL’s Verdict: Buy it. Support the hardcore scene and pay these guys their due. They have a great sound yet stay true to hardcore roots. I had the chance to see these guys live at the Revolver Thrash and Burn Fest and the energy they pumped out on that stage could be felt by everyone.
HOLLYWOOD UNDEAD
Swan Songs
Octoscope Music
A bunch of masked Eminems!!!! But they mix a good dose of metal/rock instruments and hooks? Yes they had a song on the latest version of the Madden video game and yes they are yet another band who has used Myspace to their advantage but who the hell is gonna hold that against them in this day and age? HU is the real deal. A gangsta rap mashup with hooks reminiscent to pop/punk and metal. So far I’m diggin it. I’m looking forward to seeing them live and see what kind of crowd they draw.
Top Tracks: Undead, City, California…aw hell, I can’t stop listening to this shit, all of em.
GDeViL’s Verdict: This is what happens when the word “genre” is ignored. Kudos. Think Linkin Park only with balls and actually good hooks. The masks are a nice touch fellas but putting the album out the same week as fellow masked cohorts’ (Slipknot) may not have been such a good idea. Does anyone remember Mushroomhead? Bottom line, buy the album and get yo drink on.
SLIPKNOT
ALL HOPE IS GONE
Roadrunner Records
The original masked men from Iowa are back with their fourth full length release, All Hope is Gone. I’ve read a few initial reviews of the album and was not shocked most writers had mixed feelings on the album. Understandable given the subject. Slipknot has disappeared for a few years with its members branching off doing their own little side projects. Many felt that the monster known as Slipknot may have been sleign for good, that they lost their edge. I disagree. The “nasty nine” are back and as usual, they are pissed off. Let’s remember folks, normal bands have, at the most, five egos to deal with when making music. We’re talking about nine musicians here. Its an accomplishment in itself that they put this many albums out, and really, have they actually put out a bad album? No. Consider All Hope is Gone a mixture of all the previous albums, but please let’s not call them “Nu metal”. What the fuck is that shit anyway? Nu??? Slipknot is metal. All hope is NOT gone.
Top Tracks: Gematria (The Killing Name), Psychosocial, Butcher’s Hook, All Hope is Gone
GDeViL’s Verdict: I had the opportunity to actually hear Slipknot before seeing them. What I heard was a magnificent symphony of violent noise. When I saw them live in a small venue in NYC I could not believe that all these masked motherfuckers were on the stage at once making such heavy music. I’m a big fan of drumming in any metal band. Joey Jordinson is at his best and is undoubtedly one of THE best in the business. But the percussions of Shaun Crahan and Chris Fehn are astounding and can be felt big time on this album. Obtain this album by any means necessary.
SPOILER NYC
Grease Fire in Hell’s Kitchen
I Scream Records
Blue Collar, nitty-gritty, oi-punk. That’s what you’re gonna get with Spolier NYC. Their first album, Grease Fire in Hell’s Kitchen is exactly that. A messy, greasy, out of control, raging kitchen inferno, in what use to be one of NYC’s toughest neighborhoods (like the reast of the city, its being infiltrated by heartless yuppies). But when the smoke clears and the fire is put out, you’re left with a deliciously greasy burger and fries. Did I just call this album a burger? Whatever. The band is fronted by Alan Roberts of Life of Agony fame just to give you the pedigree on this one.
Top Tracks: Ruined, Grease Fire in hell’s Kitchen, Suicide Motel
GDeViL’s Verdict: Looking for a no frills punk album you can cruise to in your rebuilt Merc while picking up tattooed, Betty Page look-a-likes? This is the album to do it to.
H2O
NOTHING TO PROVE
Bridge 9 Records
There was once a time you could throw a rock in NYC and hit a lightpole which bared a flyer boasting of some hardcore/punk show being held within the city. CBGB’s, Wetlands, Tramps, Coney Island High and The Continental. All venues which showcased shows almost on a weekly basis. All gone. Every single one has closed shop, along with many of the bands which graced their stages in the days past. It appeared that for a while the NYHC scene may have died?
H2O was born from the guts of the NYHC scene. Their music was a throwback when they first hit the stage back in 1995 and here we are now, in 2008, seven years since their last release and Nothing to Prove is a much needed breath of fresh air into a scene that many feel has lost its path. The members of H2O isn’t going to claim being saviors of a lost scene, but with their latest release, I don’t think anyone would argue the point.
I always say that the scene today reminds me of punk and hardcore of the late 70s and 80s. Music has become more visual than audio. Much of it doesn’t have a message, or better yet, it doesn’t have a message worth listening to. Back then it was disco and hair metal that invaded good music. Nowadays its emo, prog rock and all this crossover nonsense. Is it good? To an extent. But I just feel that its always good to go back to your roots more often than not.
I’m not saying H2O is saving the world or anything but Nothing to Prove is a much needed wakeup call for a scene that at times loses its way. The seven years hiatus has done these average joe’s some good. Refuled and refreshed they put out a classic hardcore album for the ages.
Top Tracks: What Happened?, Fairweather Friend, A Thin Line, Undconditional.
GDeViL’s Verdict: Old school cats will either love or hate this album. But putting all the shitty hardcore scene politics aside, this album is absolutely solid and totally worth the seven year wait. Although a couple pf more tracks would have been nice. Good work guys and thank you!
MOTELY CRUE
SAINTS OF LOS ANGELES
Eleven Seven Music
ELESNot many bands can claim they’ve been to hell and back… and back and forth again. For one band, not only has this journey to hell been done numerous times, but I think they’ve actually accumulated enough frequent flyer miles to own their own little corner in the fiery abyss. Yes, the Crue is back with their first full length recording in years. Saints of Los Angeles is aptly titled after the “glam” rock band who outlasted all the wannabe’s from back in the day. Saints brings back the raw sound only the original Crue can concoct. Top tracks include, Face Down in the dirt, Motherfucker of the Year, and Welcome to the Machine.
GDeViL’s Verdict: Buy it. Not only buy it, but buy tickets to Cruefest as well. Its sure to be one of the top acts to see this summer…assuming the band keeps it all together and doesn’t relapse. The saddest sight I ever seen was a fat, bloated Vince Neil falling off a stage in New Jersey as he forgot the words to Livewire.
Cancer Bats
Hail Destroyer
Metal Blade
Inc.Canadian metal/hardcore/punk crossover miscreants are at it again with their sophomore effort Hail Destroyer. This album has quickly made its way to into the “most played” category on my playlist as of late. While CB have been labeled a hardcore act, its easy to hear the many influences that keep Hail Destroyer rockin. They do a great job of combining hardcore, punk, metal with a touch of southern rock. The result is an easy two thumbs up. Top tracks include: Hail Destroyer, a sure crowd pleaser, Harem of Scorpians, for the sick breakdowns, and my personal favorite, Sorceress, an ode to evil bitches everywhere.
GDeViL’s Verdict: Buy it and see how many times your neighbors complain on you for cranking the decibel level to “ungodly”.
FOXBORO HOT TUBS
STOP, DROP & ROLL
Green Day puts out a throwback 60s, garage band album. Yes, from the boys who brought you Dookie, comes a side project known as Foxboro Hot Tubs. The hipsters of Williamsburg have been drawn to this like a newly opened baggie of dope, but regardless, it’s a pretty interesting listen. Top tracks include, Ruby Room, She’s a Saint Not a Celebrity, and 27th Ave Shuffle. However, all of the tracks have been known to make your ass shake, even if it is just a little.
GDeViL’s Verdict: Steal it from a hipster. Preferably maim the fucker while ripping it from his cold, dead hands too. This way you get the double satisfaction of ending the gentrification of NYC’s neighborhoods and scoring a good album to play at your next bash.
THE OFFSPRING
RISE AND FALL, RAGE AND GRACE
Sony/BMG
Pop-punk California darlings The Offsrping are back! But does anyone really care? After listening to their full length, I was almost hooked into saying “Yes, I care.” But sdaly after the first four tracks the album nose dives into a pile of main stream pop garbage. Top Tracks include: Half-Truism, Trust in You, You’re Gonna Go Far Kid, Hammerhead.
GDeViL’s Verdict: Burn it…literally. Just set the fucker on fire. The offspring had something special when they released Ignition and Smash, but they lost me forever when they put out that Pretty Fly For White Guy penis discharge
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