Friday, September 5, 2008 BULLET FOR MY VALENTINE
Scream. Aim. Fire.
Sony BMG
British metalists BULLET FOR MY VALENTINE are back with their second album release, Scream. Aim. Fire. Rumor had it that the band was to change their style for this release. Which in my eyes would have been an enormous mistake. Just look at the results of other similar bands such as Trivium and Avenged Sevenfold when they decided to throw us a curveball with their styles. Poop. Cocky. And shit. That's what is the typical result. However, BFMV seemed to have delivered regardless of some minor changes.
For one, the vocals come in with less of a growl. But it's not as drastic as it sounds. Singer Matt Tuck actually does have a voice and can use it rather well in this capacity. He can still sound angry but on this album it's more smooth and easier to listen to. Besides, it fits perfectly with the bands emo-type lyrics and song material. Musically, the album reminds me of Dokken. And for those of you who are too young to know who Dokken is, go through dad's record collection and listen. They were definitely influenced by them.
The title track Scream Aim Fire is the opening track and sets a good tone for the rest of the album. They take a political turn lyric-wise, dealing with the war and the tactics their government is using to “lure” men into the military. I don't know anything about that, but the double bass and breakdowns are pretty kick ass. For the most part the coming tracks revert back to their emotional writing of ballads. Hearts Burst Into Fire is probably the tear jerker of the album and no joke, it's my favorite. The heaviest track is Waking the Demon. Monster riffage and Tuck's vocals are brought to a growl more often than any other track.
Overall, it's a solid sophomore effort. No need to worry about “selling out” here just because they may have changed or added a few things here and there to separate them from the rest of the cookie cutter emo-metal bands.
http://www.myspace.com/bulletformyvalentine
TOO PURE TO DIE
Confidence and Consequence
Trustkill Records
I have never heard of this band before. While walking the aisle at the local record shop, the cover of the band's debut album, Confidence and Consequence, caught my eye. The manager of the shop put a little sticker on it that said “Manager's Pick!!! The Second Best Band to Come Out Of Iowa!!!” It left me wondering, who the hell was the first best band? I'm guessing it had to be Slipknot, but I could be wrong. Anyway, it was enough to peak my interest, so I bought it and threw it my cd player for the ride home.
What I heard was a very raw sounding album. Nothing over the top or overly inventive, but more of a back to basics metalcore sound. Nothing fancy. Like blue jeans and a white t-shirt… you can always pull it off and still look good. Two tracks that really got me excited were the title track, Confidence and Consequence and 99. Other tracks, while good, didn't really hold my attention as well. That's not to say they weren't any good however.
I did a little research on the band and found that this album is actually a re-release done over with a new singer (Paul Zurlo). Apparently past fans feel that the new singer doesn't mesh well with the lyrics and are calling for the old, unknown to me, singer. Regardless, Confidence and Consequence is a pretty solid album just the same. Maybe they'll let the new guy do it more his style than trying to copy the past.
http://www.myspace.com/toopuretodie
MICHALE GRAVES & DAMIEN ECHOLS
Illusions
SOS Records
Ex-Misfit frontman and all around Republican good guy recorded 15 tracks of folkie, raw, and inspirational indie goodness. Say what!?! Yes. You heard me correctly. That guy who ran around, and still does, with a skull painted on his face, who gave the Misfits a much needed boost, is actually ditching the face paint and letting it all hang out so to speak.
Anyone who knows Graves knows that he is an uber conservative. In January 2004, Michale helped found conservativepunk.com in which he also contributes and writes for. Michale has appeared in The New York Times, The Washington Times, National Public Radio, WABC, Fox news, WLIB and USA Today and news outlets all over the world speaking and debating issues relating to pop culture, politics, counterculture, rock music and the entertainment industry. In October 2004, Michale addressed The Young Republicans Club of New York City and received a standing ovation. He was made an honorary member of the club and placed on their board of advisors. Kind of rare in the punk scene don't you think?
Who is Damien Echols? He's a guy who, along with three others, were convicted of multiple homicides in Memphis circa 1993. They have been in prison ever since, awaiting a death sentence that has been overturned more times than an overdone pancake. I won't get into the specifics of the story, but it sis interesting. Go check it out here
But I WILL speak on the album. Afterall that's why you're here I assume, not for politics. If you were expecting the Misfits then place this cd back on the rack and continue along. Although you may want to here Graves' acoustic versions of Misfits faves, Dig Up Her Bones and Crying On A Saturday Night. Other noteworthy tracks would be Frostbite and Wormwood. Lyrically sound recordings throughout. The album is more along the lines of Nick Cave, but in this writer's opinion, its better and has less gay in it. Give it a listen while sippin on some sort of alcoholic cocktail on a quiet evening at home and give the headbanging a rest.
http://www.myspace.com/gravesmichale
PARKWAY DRIVE
Horizons
Epitaph Records
Australian metalcore? You betcha. This is by far one of the best albums I have heard, regardless of genre, in quite sometime. I believe this is their third release and why I have never picked up any of their stuff is beyond me. I'm in the process of obtaining the rest of their albums, but Horizons can stand on its own, without knowing any background on the band.
The band is all about monster breakdowns and scorching solos. They are prevalent on every track and make a listen to the entire album go by in what seems like a blink of an eye. At first purchase I listened to the album in its entirety six times. Favorite tracks are Carrion and Boneyards but that was pretty difficult to narrow down to just two.
http://www.myspace.com/parkwaydrive
BURY YOUR DEAD
Bury Your Dead
Victory Records
About a year ago BYD released Beauty and the Breakdown and this writer, along with many others anointed them the Kings of the Hardcore Breakdown (If they hadn't yet already). BYD as a band has been through a lot. They have had more lineup changes than the Spears' sisters have had pregnancy tests. They have dodged bullet after bullet that would have been the nail in the coffin for any other band. Guitarist Eric Ellis was jumped after a show in Milwaukee which caused the band to drop off the tour they were on (I believe Hell Yeah was the headliner so no harm, no foul in my book, that band sucks). So in about a year, and three vocalists later, BYD is back with their fourth full length.
Vocalist, Myke Terry (Cassius) is the current throat of BYD. He's not a dramatic shift from the former singers of the band so on this album, you don't lose anything in that department. They do change it up a bit and add some more melodic vocals on some tracks. In my opinion it makes BYD a little easier to listen to if you've never heard them before. But this band has never been about being easy on the ears. When hardcore/metalcore aficionado speak of BYD, they speak of breakdowns. The art of the breakdown… when all the music comes together in a tribal crescendo, has been re-written again and again by BYD, album after brutal album. The breakdowns continue on Bury Your Dead. That's really all that has to be said isn't it?
www.myspace.com/buryyourdead
Until next time, keep it evil, and see you in the pit.
GDEVIL
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